To work with a burnisher…

As a second state, I added a softground to the initial tiny etching I worked on specifically for a Spanish mini print contest.

The background was far too dark.

It was hiding the two tiny guys who were trying to escape time by running away from the hourglass.

I worked with the burnisher, till I was satisfied with the result, and then applied a 220/1000 and 1200 sandpaper.

This is this final result of the second state.


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